Archive for July 2012
New York, N.Y. – July 12, 2012 – Nominations for the 33rd Annual News and Documentary Emmy® Awards were announced yesterday by the National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards will be presented on Monday, October 1 at a ceremony at Frederick P. Rose Hall, Home of Jazz at Lincoln Center, located in the Time Warner Center in New York City. The Wereth Eleven earned a nomination in the promotion category for our compelling trailer that editor and co-exec. producer Frederic Lumiere and I labored over for at least three 18 hour sessions. I remember quite well finishing this trailer around 1AM in the morning and Frederic and I both toasted it's completion with a beer (maybe two). It is very gratifying that our work has been recognized as among the very best by industry standards and I believe this will bring even more attention to the film.
Statement from NATAS:
"The National Academy of Television Arts & Sciences is delighted to honor the outstanding work being done by journalists and documentarians throughout the television industry,” said Malachy Wienges, Chairman, NATAS. "In addition, we are pleased to be honoring Jorge Ramos and Maria Elena Salinas, the co-anchors of Univision’s nightly newscast, with our prestigious Lifetime Achievement Award. We are happy to highlight their work which represents the very best in news reporting.”
Posted by Robert Child
I was in Gettysburg to help promote next year's 150th film. There was great interest in all things 150th. I even signed a few DVD's for folks. All were in good spirts- despite the record heat. In fact on my way back to town at 6:30P I glanced at the car thermometer and it read 105 degrees! Nothing like Gettysburg in heatwave - you have to experience it to believe it.
Excerpt from The Russian van Gogh:
HARVARD U. KENNEDY SCH OF GOVT. AUD., CAMBRIDGE, MA
A tall, attractive blue eyed woman, 32, with long dark hair, classic features and ample curves moves confidently across a stage casting a shadow on a projector screen. She has a man intimidating educated air coupled with approachable all-American good looks. A study in contrast she is Harvard Art History Professor and Forensic Art Detective, Riley Spenser and she moves a red laser pointer to the screen.
On screen a painted seascape is illuminated. The words below the painting reveal it as a Rembrandt with the title, Storm on the Sea of Galilee. Above the painting is a dollar figure, $500 Million.
Spenser looks at the image a moment and turns to her audience of 300 people, “and finally the infinitely irreplaceable, Storm on the Sea of Galilee by Rembrandt rounds out the 13 works of art stolen in the St. Patrick’s Day heist at the Gardener Museum in 1990. This combined with the stolen Vermeer make this burglary the largest single property theft in recorded history at $500 million and the items have yet to be recovered.”
Letting this sink in a moment she continues, “Art theft has gone on since the age of the Egyptians and mostly during times of war. The spoils of war become the scared national treasures of the victor. And no one questions it - even though most of the Italian art hanging in the Louvre was stolen by Napoleon in his Italian campaign of 1796.” Smiling she humorously adds, “In fact the terms his Modena Armistice were simple, ‘you give us your art, or we don’t stop shooting.” The audience chuckles and Riley, impassioned, concludes her talk. “Art endures ladies and gentlemen. It transcends boundaries and conquerors. It is the only object we will ever see during our lifetimes that can be said to be truly immortal. In each original piece the artist has left something of himself or herself. The same Mona Lisa you admire today is the exact one da Vinci labored over for more than five years in his studio. That is what personally connects us to him and only original works of art can accomplish that. No one person or country can possess art in perpetuity. In the end the artist intended that it belong to all of us. Thank you ladies and gentlemen. Thank you very much.”
Professor Spenser exits to audience applause and is quickly speeding north in her Audi on Memorial Drive alongside the Charles.
*Stay tuned for future book excerpts and updates in this new series.
Image credit: keeweeboy / 123RF Stock Photo
This is the first in as series of posts for this Patriotic Week in America. Over the past year I wrote and directed two military films, The Wereth Eleven and USS Franklin: Honor Restored. These are two very different films which both illustrate the heroism in the American soldier and sailor. And what I have noticed is so many people who have watched both films really lean towards the Franklin. Their comments back are very gratifying as the whole mission of the film and the title speaks to it was to "restore honor" to the men who served aboard the ship.
You see this film depicts an injustice that was not well known or even talked about outside Navy circles but it was what drew me to the story. When Joseph Springer and Joe Small asked me to do film I said alright but I have to tell the story of Captain Gehres - no holds barred. And all agreed.
And for folks who have not seen the film and I hope that you do this is the story...
In March 1945 the Carrier USS Frankin was sailing under 50 miles off the coast of Japan. And it made a very enticing target for Japanese dive-bombers who were sent out in waves to sink the prize of the fleet. Piloting the Essex-class ship was Captain Leslie Gerhres and one look at his photo and the footage of him aboard ship and you can tell he had a lofty opinion of himself.
Sailors were literally blown over board 90 feet into the freezing Pacific and those that had no choice being either surrounded by fire or cut off by parts of the blown apart ship jumped into the 50 degree water. Once rescue shipped started coming along side the burning carrier the men who could crawl scrambled off the ship. Many others were carried off both wounded and dead.
Many believed later that it was a tactic to shift attention away from his own failure to put the crew on battle ready high alert status. Gerhes pursued this course all during the time the ship sailed back to Brooklyn for repairs and he did not drop his charges. Finally the situation reached the attention of the Secretary of the Navy James Forrestal who put an immediate end to the court martial.
The anguish of being labeled a deserter by your own Captain was a burden these Franklin vets had to carry the remainder of their lives. And in interviewing the surviving men for the the film it was readily apparent the pain had not lessened in more than the sixty years since the disaster.
And for many having the story finally told meant as one veteran put it to Joseph Springer that, "he could now die in peace". That, in my opinion, is what makes this film resonate. It finally "restored honor" to men who desperately needed it. And all of us on the production are proud that we were able to finally give some solace to these American heroes.
Posted by Robert Child